約束的場所 ( 2019 )
展覽概念︰謹以本系列作品,獻給過去、此時的每分每秒及未來,持續不斷因人類的私欲,以各種形式所犧牲的生命。
生活裡每一次對於事物的選擇,其實都在影響著眼前所看不到的彼端,可能因為我們無意識的決定,一個生命必須為此做出犧牲;甚至我們不斷主動繁殖動物的數量,只為了滿足人類不合時宜的欲望。所有生於地球範圍內的生命,皆受到人類的操控和影響,其中又以動物特別明顯:我允許你在這片自然保護區裡、我要你關在 A4 大小的牢籠裡。如果不是因為人類所霸佔的龐大領地,以及為求自身的便利與安定,不然連領養的美德都不需要存在。當生命受到馴化,失去生存自理能力後,迎來的即是任由人類的擺佈 ──────
媒材︰動物耳標、壓克力顏料、單頻道錄像、UV 油墨、香爐、香爐灰、香、螺絲、斧頭、水性水泥漆、木條、回收木板、舊木頭
展出︰《 約束的場所 》個展,亞典藝術書店,臺北,臺灣,2019
Restricted Space (2019)
Medium: animal ear tag, acrylic paint, single-channel video, UV Ink, censer, incense ashes, incense, screw, axe, water-based emulsion paint, wood
Concept: All of the creatures which live on the Earth, are all manipulated by human being. Especially animals: “I give you (animal) permission to be in the natural preservation zone,” “I want you to be prison in this A4 space cage.” If the human being don’t occupy a large amount of land, and only for the sake of their convenient and quiet, otherwise the moral of adopting animal wouldn’t be existed, because it is also a behavior of restricting the freedom of life. Since the creatures are domesticated, losing the ability of living, the only way to survive is manipulate by human being. Human being ignore the right of life autonomy for animals. Even though there is no war between human being one day, human being will persecute other creatures continuously.
Place: Restricted Space solo exhibition, Artland Bookstore, Taipei, Taiwan, 2019
展覽概念︰謹以本系列作品,獻給過去、此時的每分每秒及未來,持續不斷因人類的私欲,以各種形式所犧牲的生命。
生活裡每一次對於事物的選擇,其實都在影響著眼前所看不到的彼端,可能因為我們無意識的決定,一個生命必須為此做出犧牲;甚至我們不斷主動繁殖動物的數量,只為了滿足人類不合時宜的欲望。所有生於地球範圍內的生命,皆受到人類的操控和影響,其中又以動物特別明顯:我允許你在這片自然保護區裡、我要你關在 A4 大小的牢籠裡。如果不是因為人類所霸佔的龐大領地,以及為求自身的便利與安定,不然連領養的美德都不需要存在。當生命受到馴化,失去生存自理能力後,迎來的即是任由人類的擺佈 ──────
媒材︰動物耳標、壓克力顏料、單頻道錄像、UV 油墨、香爐、香爐灰、香、螺絲、斧頭、水性水泥漆、木條、回收木板、舊木頭
展出︰《 約束的場所 》個展,亞典藝術書店,臺北,臺灣,2019
Restricted Space (2019)
Medium: animal ear tag, acrylic paint, single-channel video, UV Ink, censer, incense ashes, incense, screw, axe, water-based emulsion paint, wood
Concept: All of the creatures which live on the Earth, are all manipulated by human being. Especially animals: “I give you (animal) permission to be in the natural preservation zone,” “I want you to be prison in this A4 space cage.” If the human being don’t occupy a large amount of land, and only for the sake of their convenient and quiet, otherwise the moral of adopting animal wouldn’t be existed, because it is also a behavior of restricting the freedom of life. Since the creatures are domesticated, losing the ability of living, the only way to survive is manipulate by human being. Human being ignore the right of life autonomy for animals. Even though there is no war between human being one day, human being will persecute other creatures continuously.
Place: Restricted Space solo exhibition, Artland Bookstore, Taipei, Taiwan, 2019
我的感覺在你面前顯得多餘 ( 2019 )
概念:以臺灣點字排列的作品名稱《 我的感覺在你面前顯得多餘 》,透露著動物的感覺就和陌生的點字一樣,當我們不願意試圖去理解時,它就永遠是離自己如此遙遠,猶如平行時空般的存在。
媒材:回收木板、動物耳標、壓克力顏料
尺寸:長 166.3 x 寬 54.3 ( cm )
My Feelings Seems Unnecessary in Front of You (2019)
Medium: old wood, animal ear tag, acrylic paint
Size: length 166.3 x width 54.3 (cm)
Concept: Use braille to display the artwork My Feelings Seems Unnecessary in Front of You. Express the animals feelings seem unknown to human being, just like braille. When we are not willing to understand, the feelings is faraway from beginning to the end, as if exists in a space-time parallel.
概念:以臺灣點字排列的作品名稱《 我的感覺在你面前顯得多餘 》,透露著動物的感覺就和陌生的點字一樣,當我們不願意試圖去理解時,它就永遠是離自己如此遙遠,猶如平行時空般的存在。
媒材:回收木板、動物耳標、壓克力顏料
尺寸:長 166.3 x 寬 54.3 ( cm )
My Feelings Seems Unnecessary in Front of You (2019)
Medium: old wood, animal ear tag, acrylic paint
Size: length 166.3 x width 54.3 (cm)
Concept: Use braille to display the artwork My Feelings Seems Unnecessary in Front of You. Express the animals feelings seem unknown to human being, just like braille. When we are not willing to understand, the feelings is faraway from beginning to the end, as if exists in a space-time parallel.
我只能活在你願意讓我苟存的範圍 ( 2019 )
概念:只要生活在地球上的一天,動物的活動範圍皆受到人類的控管,由人決定牠該待在哪裡;是保護區、動物園、實驗室,或者某位「 愛心人士 」的家裡。
媒材:單頻道錄像裝置 ( 彩色/有聲 )
尺寸:依場地而定
時長:22 分 55 秒
I Only Can Live in the Area You Permit (2019)
Medium: single-channel video installation (color, sound)
Size: dimension variable
Duration: 22'55"
Concept: As long as living on the Earth one day, the area animals can reach is manipulated by human being. Human being decide “it” should be stayed at; natural preservation zone, zoo, laboratory, or one’s home who has a kind heart.
概念:只要生活在地球上的一天,動物的活動範圍皆受到人類的控管,由人決定牠該待在哪裡;是保護區、動物園、實驗室,或者某位「 愛心人士 」的家裡。
媒材:單頻道錄像裝置 ( 彩色/有聲 )
尺寸:依場地而定
時長:22 分 55 秒
I Only Can Live in the Area You Permit (2019)
Medium: single-channel video installation (color, sound)
Size: dimension variable
Duration: 22'55"
Concept: As long as living on the Earth one day, the area animals can reach is manipulated by human being. Human being decide “it” should be stayed at; natural preservation zone, zoo, laboratory, or one’s home who has a kind heart.
是「 經濟 」,但不是動物 ( 2019 )
概念:人類將動物做了各種區分,有的負責娛樂、陪伴,有的則提供身上的血肉,以供貪婪且無視其生命的人類,無限循環地食用下去。
媒材:UV 油墨、回收木板、香爐、香爐灰、香
尺寸:木板 ( 高 104.5 cm x 寬 130 cm )、香爐 ( 四件。直徑 10 cm x 高 12 cm )
Animal Is Just an Economy (2019)
Medium: UV Ink, old wood, censer, incense ashes, incense
Size: wood ( height 104.5 cm x width 130 cm ), censer ( diameter 10 cm x height 12 cm, 4 pieces)
Concept: Human being always classify all animal, they are some being pets, entertainment or food.
概念:人類將動物做了各種區分,有的負責娛樂、陪伴,有的則提供身上的血肉,以供貪婪且無視其生命的人類,無限循環地食用下去。
媒材:UV 油墨、回收木板、香爐、香爐灰、香
尺寸:木板 ( 高 104.5 cm x 寬 130 cm )、香爐 ( 四件。直徑 10 cm x 高 12 cm )
Animal Is Just an Economy (2019)
Medium: UV Ink, old wood, censer, incense ashes, incense
Size: wood ( height 104.5 cm x width 130 cm ), censer ( diameter 10 cm x height 12 cm, 4 pieces)
Concept: Human being always classify all animal, they are some being pets, entertainment or food.
我的未來,就是你口中的一塊肉 ( 2019 )
概念:生命被無限循環的宰割,只為滿足單一物種的口腹之慾。在地球上,人類已主動繁殖數量龐大的食用動物,為了餵養牠們,不僅佔用大片土地生產飼料作物,且極度消耗地球上擁有的各種自然資源,進而也影響著氣候的變遷。消費動物性產品本身,即是一種缺乏效率的食物浪費,同時也不停地造成動物的痛苦,讓殺戮的行為,成為人類社會日常的一部分。
媒材:動物耳標
尺寸:依場地而定
My Future Is a Bite of Meat in Your Mouth (2019)
Medium: animal ear tag
Size: dimensions variable
Concept: On the Earth, human being have bred a large number of the carcasses. In order to feed them, human being not only take up a large amount of land to plant forage crops, but consume every natural resources. The actions all influence climate change. However, the product of carcass is an inefficient food waste, and also make animals feel pain continuously. Unfortunately, the slaughter action has been the part of human being’s regular routine.
概念:生命被無限循環的宰割,只為滿足單一物種的口腹之慾。在地球上,人類已主動繁殖數量龐大的食用動物,為了餵養牠們,不僅佔用大片土地生產飼料作物,且極度消耗地球上擁有的各種自然資源,進而也影響著氣候的變遷。消費動物性產品本身,即是一種缺乏效率的食物浪費,同時也不停地造成動物的痛苦,讓殺戮的行為,成為人類社會日常的一部分。
媒材:動物耳標
尺寸:依場地而定
My Future Is a Bite of Meat in Your Mouth (2019)
Medium: animal ear tag
Size: dimensions variable
Concept: On the Earth, human being have bred a large number of the carcasses. In order to feed them, human being not only take up a large amount of land to plant forage crops, but consume every natural resources. The actions all influence climate change. However, the product of carcass is an inefficient food waste, and also make animals feel pain continuously. Unfortunately, the slaughter action has been the part of human being’s regular routine.
在成為眼前的事物之前,它是什麼?( 2019 )
概念:各種做為人類日常消費的產品,其每一項成分皆代表了對世界產生的影響;它從哪裡被挖掘或生產出來、誰因此受惠或備感煎熬,而又是耗費了多少資源,才能來到每個不懂得珍惜的人類手中。
媒材:舊木頭、斧頭、水性水泥漆
尺寸:依場地而定
Why Is It Here? (2019)
Medium: old wood, axe, water-based emulsion paint
Size: dimensions variable
Concept: Raw material is from global of every goods, so it will be affect to everything.
概念:各種做為人類日常消費的產品,其每一項成分皆代表了對世界產生的影響;它從哪裡被挖掘或生產出來、誰因此受惠或備感煎熬,而又是耗費了多少資源,才能來到每個不懂得珍惜的人類手中。
媒材:舊木頭、斧頭、水性水泥漆
尺寸:依場地而定
Why Is It Here? (2019)
Medium: old wood, axe, water-based emulsion paint
Size: dimensions variable
Concept: Raw material is from global of every goods, so it will be affect to everything.
約束的場所 ( 2019 )
概念:所有生於地球範圍內的生命,皆受到人類的操控和影響,其中又以動物特別明顯:我允許你在這片自然保護區裡、我要你關在 A4 大小的牢籠裡。如果不是因為人類所霸佔的龐大領地,以及為求自身的便利與安定,不然連領養的美德都不需要存在。當生命受到馴化,失去生存自理能力後,迎來的即是任由人類的擺佈 ──────
媒材:木條、水性水泥漆、螺絲、單頻道錄像 ( 彩色/有聲 )
尺寸:籠子 ( 長 103 cm x 寬 70 cm x 高 86 cm )
時長:04 分 10 秒
Restricted Space (2019)
Medium: wood, water-based emulsion paint, screw, single-channel video (color, sound)
Size: length 103 x width 70 x height 86 (cm)
Duration: 4'10"
Concept: All of the creatures which live on the Earth, are all manipulated by human being. Especially animals: “I give you (animal) permission to be in the natural preservation zone,” “I want you to be prison in this A4 space cage.” If the human being don’t occupy a large amount of land, and only for the sake of their convenient and quiet, otherwise the moral of adopting animal wouldn’t be existed, because it is also a behavior of restricting the freedom of life. Since the creatures are domesticated, losing the ability of living, the only way to survive is manipulate by human being. Human being ignore the right of life autonomy for animals. Even though there is no war between human being one day, human being will persecute other creatures continuously.
概念:所有生於地球範圍內的生命,皆受到人類的操控和影響,其中又以動物特別明顯:我允許你在這片自然保護區裡、我要你關在 A4 大小的牢籠裡。如果不是因為人類所霸佔的龐大領地,以及為求自身的便利與安定,不然連領養的美德都不需要存在。當生命受到馴化,失去生存自理能力後,迎來的即是任由人類的擺佈 ──────
媒材:木條、水性水泥漆、螺絲、單頻道錄像 ( 彩色/有聲 )
尺寸:籠子 ( 長 103 cm x 寬 70 cm x 高 86 cm )
時長:04 分 10 秒
Restricted Space (2019)
Medium: wood, water-based emulsion paint, screw, single-channel video (color, sound)
Size: length 103 x width 70 x height 86 (cm)
Duration: 4'10"
Concept: All of the creatures which live on the Earth, are all manipulated by human being. Especially animals: “I give you (animal) permission to be in the natural preservation zone,” “I want you to be prison in this A4 space cage.” If the human being don’t occupy a large amount of land, and only for the sake of their convenient and quiet, otherwise the moral of adopting animal wouldn’t be existed, because it is also a behavior of restricting the freedom of life. Since the creatures are domesticated, losing the ability of living, the only way to survive is manipulate by human being. Human being ignore the right of life autonomy for animals. Even though there is no war between human being one day, human being will persecute other creatures continuously.